Selecting and masking, two of Photoshop’s most important features, lay the foundation for many if not most of the adjustments you make to images. The uses for masks are endless, and although Photoshop offers many different types of masks and ways to create them, their purpose and behavior are the same: masks control which areas of an image or layer are edited or unaffected, or what areas are hidden or revealed. For example, a Quick Mask could be used to make a selection to lighten or darken a specifi c area of an image, while a Layer Mask might be used to hide or display information on a layer, such as another image, a pattern, a color, an adjustment, type, a set of images, or a combination of all of them. And because no two images are alike, Photoshop provides several distinct types of masks and over a dozen selection tools to create masks, providing tremendous fl exibility and precise control. Masks have two very powerful advantages: •Most masks are non-destructive-none of your original artwork is edited or deleted, it’s simply hidden. (There are a few exceptions, such as Quick Masks and a few masking tools, which we’ll discuss later.) •Masks are tremendously fl exible-they can be changed at any time, in any way, to reveal or hide areas of layers. From a creative perspective, the fl exibility and non destructive nature of masks means that everything you do today can be changed tomorrow if you (or your client) change your mind, – you’ll never have to go back to square one to recover information. So, unless you make perfect adjustments or have perfect clients, you should be editing with masks! Note : Although selecting and masking are similar, selecting is an art of its own and this discussion is limited to explaining and working with the various types of masks in Photoshop. Lets begin by discussing the several types of masks in Photoshop to discover which one will help you achieve the distinctive effect that you will need for your artwork. Quick Masks The name Quick Mask can be a bit misleading. As Photoshop’s earliest masking feature, a Quick Mask is actually a selection viewed in a different mode. Rather than displaying the selection as a dotted-line marquee, it is represented in varying shades of red, where each shade represents the areas of the image that are affected, and by how much. If you fi nd this concept confusing, think of the varying shades of red as a percentage of opacity, for example, where dark red indicates that an area is completely opaque (hidden) and a lighter red or pink tone indicates that the area is somewhat transparent (revealed)…
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