@rorrt Developing times can vary depending on your on exposure and lighting conditions. Although many teachers and students want a standard such as you’ve mentioned, you can only really determine this through testing and reading your film with a densitometer. Study the zone system to figure out what I’m talking about!
@rorrt Glad to hear you’ve been experimenting. The best book I know of to really learn about negative shooting and processing is Ansel Adam’s The Negative. Now, a lot of it will put you right to sleep, but his film testing method that you’ll find in the back really works. It’s amazing how easy it is to print a good negative. Where do you go to school?
The first one , well actually it was about 50% higher, so it was 30C and same for fix. The film became sort of warped, and it means you have higher visible grain. Plus you have a sort of snake skin effect, (google “reticulation film”) and youll see what i mean.
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Back in the days of film, it was hard to add special effects to your photos because that generally required a darkroom. These days, of course, |
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He had his own darkroom, and I used to watch him,” Grout told Sun writer, Ellie Baublitz. At the time, the article in 1995 described Grout's show at the |
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He hand-holds the camera for portraits and takes many pictures. Many of the portraits in this show were taken at the Marlboro Music Festival in Vermont. |
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If you manipulate an image in a darkroom by waving your hand underneath the enlarger, it is not that much different than moving a mouse around on the screen |
In second-hand bookshops and sometimes book markets or auctions. When we travel, we always keep an eye out. Is the cutting up of a text a transgressive act?
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